His Three Daughters Ending Explained Love, Loss & Healing

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His Three Daughters Ending Explained

His Three Daughters Ending Explained Love, Loss & Healing: Netflix’s newest movie will have you grabbing a tissue and feeling it all profoundly. His Three Daughters is a film that unravels hidden truths and emotions we carry until there is no place to hide. His Three Daughters is a movie about grief, complex family relationships, and unhealed, distressing emotions that come to the fore in challenging life-and-death situations. The ending is a powerful catalyst for all four protagonists to shed light on their life’s regrets and move to a zone of healing and understanding. Spoilers Ahoy!

How Does Vincent Choose to Spend His Last Moments?

The movie revolves around Vincent and his three daughters. Vincent lives in a cramped apartment in New York with his daughter Rachel. He has been diagnosed with cancer and is in his final moments. But, instead of the hospice, Vincent is here at home, in his bedroom, being cared for by two hospice workers and his daughter, Rachel. Vincent’s illness is the catalyst that brings his other two daughters down to his apartment. The movie covers the last three and a half days of Vincent’s life, but more than Vincent, it is about his daughters, hence the name His Three Daughters.

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The Three Daughters

Katie, Rachel, and Christina are the three daughters who suddenly have to live with each other again after years apart. It is difficult for them to be in such close vicinity, each different from the other, to handle this grief in their way. But more than their father’s impending death, their relationships need their immediate attention. Katie, the oldest, always wants to have a semblance of control, even when things are crashing all around her. It makes her feel she has a grip on the situation, and that’s how she is. Maybe she does not realize how it drives people away from her, including her rebellious teen daughter. 

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Christina is the nurturer and protector of peace. She wants to occupy as little space as possible, speak as little, or blend in the background if it will make a situation easy. But does doing that make it easy? It isn’t, isn’t it? Despite her calm exterior, she has to face the turmoil looming inside her. She is trying to get them all together, which is difficult, seeing as how different Katie and Rachel are from each other.

Rachel shares the flat with their father. She has been caring for him during his illness and the closest to him in his later years. Rachel is a heavy weed smoker. Unlike Katie, she earns money through sports gambling, and no conventional successes come her way. Her failure to make it big as per accepted standards of success makes Katie feel like Rachel is upto no good. Rachel is shown to be quieter around her sisters at home but is always ready to talk to strangers. Katie does not like her smoking in the apartment because of their ailing father. Katie also lost it with Rachel when she discovered that Rachel only had apples in the refrigerator. It makes Katie feel like Rachel is not doing enough. 

The Emotional Eruptions

When Katie objects to Rachel’s boyfriend, Benjy, visiting the apartment, matters escalate, and Rachel watches Benjy take a stand for her. Among other things, Benjy tells Katie that there are only apples in the fridge because that was all that Vincent ate in those last days. Christina tries to get them to sort matters over but loses it when Katie and Rachel again argue about their father’s apartment lease.

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The subtle undercurrent here is that Rachel is Vincent’s stepdaughter, and Katie has always felt that Rachel came and took their dad away from them. Rachel, too, felt these unsaid emotions all those years ago. This feeling made her quieter and reserved in front of her sisters.

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His Three Daughters Ending Explained

Vincent has only one scene, and that monologue scene uplifts the movie beyond its phenomenal narrative of the three daughters’ relationship. It is shown that Vincent asks his daughters to move him to his favorite armchair in the living room, where he suddenly seems more energized and revitalized. Vincent’s daughters sit at his knee, listening to his stories about his life, his love for his children, and how he has always loved Rachel as his own. 

He lays his heart bare to his children, even correcting the obituary they have written for him. It seems like the perfect closure for him, the best ending. He wants to be able to say whatever has been on his mind to get them to love each other and find peace for himself. What a grand way to go, with your children around and peace in your heart. But it is all happening in his mind. The next shot shows his soul watching his lifeless body in the armchair.

The Three Daughters After Vincent’s Death

The three daughters are seen shocked at their father’s death, none more so than Rachel. It seems she was the one who was the most underprepared for this eventuality. Christina tries to sing a children’s song to soothe her sister about a mother duck and her ducklings, and Katie sings the last line. Even though she can smoke inside now, Rachel is seen heading outside to smoke. Christina is seen leaving, and Katie and Rachel seem to be on better terms with each other. After all, it looks like their father managed to get all his ducklings together in his absence. As Rachel finally says, Daddy Duck says beep, beep, beep.

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His Three Daughters – A Story of Grief, Love, Relationships and Healing

Grief is as funny as it is sobering and unpredictable. It latches onto the frayed parts of a person and starts to manifest in ways we want hidden. Sometimes we succeed, sometimes we do not. Adding other people in the same boat to that mix makes for some intense revelations and dynamics. The Three Daughters is all that. It is also a story of hope that grief can pave the way for healing if we take a chance and try to heal instead of shoving it in deep. The Netflix movie has received only acclaim since it was released on the network yesterday. Go and watch it; it will resonate with you deeply if you have ever been touched by grief, and who hasn’t?

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