By Danene Rey
Photos: Edwin Freeman
Acclaimed actor and filmmaker Edwin Freeman, known for his standout roles in the 2009 blockbuster “Notorious” as legendary hip-hop deejay Mister Cee and the hit 2016 Marvel series “Luke Cage” as Young Pop, has more recently made his mark behind the camera. He produced and directed two groundbreaking documentaries – 2019’s “Modern Day Slavery,” which shed light on the racial disparities and injustices within the American criminal justice system, and 2023’s “Beats & Lyrics,” an inside look at the early days of hip-hop.
Now, in an exclusive interview with Danene Rey for Black Star News, Freeman shares his thoughts on the importance of Black filmmakers telling nuanced stories that showcase the full humanity of the Black experience. Their insightful conversation explores the power of representation, systemic barriers still faced by Black creatives, and Freeman’s advice to aspiring young Black filmmakers trying to shake up the status quo.
BSN: Edwin, your films Modern Day Slavery and Beats & Lyrics have been praised for their nuanced portrayals of Black characters and experiences. Why do you think it’s so important for Black filmmakers like yourself to tell these stories?
EF: For far too long, Black people have been portrayed in limiting, one-dimensional ways in mainstream media – as criminals, addicts, absentee fathers, “sassy” best friends, and so on. The truth is, the Black experience is incredibly diverse. As Black creatives, we have a duty to showcase the full range of Black humanity through our work.
BSN: Can you speak more to the power of representation and why it matters?
EF: Absolutely. Representation is so important because you can’t be what you can’t see. When the only images of yourself in media are negative stereotypes, it’s psychologically damaging. But when we see authentic, human portrayals, it empowers us to believe we can achieve anything. Even something as simple as seeing a Black neurosurgeon or CEO in a movie helps expand our sense of what’s possible.
BSN: What are some of the biggest challenges facing Black filmmakers today?
EF: There are still massive systemic barriers around funding, distribution, and getting pigeonholed into telling stereotypical “Black” stories by mostly white studio executives. For example, films with Black leads receive only a fraction of the budget as their white counterparts. We’re also shut out from access to resources and insider networks. The gatekeepers in Hollywood remain overwhelmingly white.
BSN: Those are definitely huge obstacles. On a positive note, have you noticed any promising changes in the industry lately?
EF: Yes, absolutely. With the mainstream success of films like Black Panther, Get Out, and recent Oscar wins by people like Jordan Peele and Regina King, it’s clear that unique, authentic Black stories resonate universally. Streaming and digital distribution have helped level the playing field. There are also more fellowship and mentoring programs to help new Black filmmakers get a foot in the door. So I’m optimistic, but we still have a long way to go.
BSN: What advice would you give to aspiring young Black filmmakers trying to make their mark?
EF: First, learn the craft and hone your skills. Then, don’t wait for permission or approval from the status quo – just create. Tell the stories only you can tell. Build communities to uplift and collaborate with other Black artists. Be relentless in knocking down doors. The industry needs our perspectives; we just have to push through. But have faith, because our voices matter.
BSN: Those are wise words. Thank you for speaking with Black Star News today, Edwin!
EF: Thank you for shining a light on this important issue. If we work together, I know we can transform the media landscape into one that fully reflects the richness of who we are.
